Johns Hopkins University Essay Example

Johns Hopkins University Essay Example Johns Hopkins University Paper Johns Hopkins University Paper Even before the discovery of the patterns and syndromes of autism, there have been people already affected by this disorder and were first thought to be mentally retarded or insane. Then Dr. Leo Kanner of Johns Hopkins University, basing his discovery from the children he observed between 1938 and 1943, studied and recorded the patterns of the syndrome and incorporated the term autism. During the 1940’s children with autism were thought to be schizophrenic. Until further research, studies and discoveries were made in the following years. Now, there have been proven facts giving the people knowledge providing a better understanding of the disorder. Thus helping the parents and families cope with it. Medical studies have created tools to help in the development and improvement in the lives of the children suffering form autism.   (History of autism) Autism is a common disorder of childhood. Yet, it often remains unrecognized and   Ã‚  Ã‚  Ã‚   undiagnosed until or after late preschool age because appropriate tools for routine   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   developmental screening and screening specifically for autism have not been   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   available. Early identification of children with autism and intensive, early intervention   Ã‚  Ã‚  Ã‚  Ã‚   during the toddler and preschool years improves outcome for most young children with autism.† (Abstract of Practice parameter: Screening and diagnosis of autism.   Ã‚  Ã‚  Ã‚  Ã‚   Neurology 2000, 55: 468-79.) Autism is a complex disability which is caused by neurological disorder. It affects the normal functioning of the brain which impairs normal development in the areas of social interaction and communication. Usually appears in the first three years of life and is a lifelong disability. Sometimes referred to as ASD or autism spectrum disorder. Those suffering from Autism would show difficulty in verbal and non-verbal communication and social interaction. (What is Autism?) The characteristics of autism differ from person to person but generally there would be difficulty with social communication, social interaction and social imagination. People with autism have difficulties with both verbal and non-verbal language.   They have the inability to understand. Some are unable to speak or may have a limited speech. They have difficulty recognizing or understanding other peoples emotions and feelings. There is also a love of routine. When they tend to do things on a fixed routine or repetitive behavior. They may also experience sensor sensitivity, which can affect one or more of the five senses, sight, sound, smell, touch and taste. And they can sometimes have special interest which may sometimes be unusual. Autism can also affect their learning abilities.   (Symptoms and diagnosis) According to the Autism Society of America, Autism is only one of the five Pervasive Developmental Disorder (PDD); a neurological disorder characterized by severe and pervasive impaired development or delayed development of communication and social skills. The five disorders categorized under Pervasive Developmental Disorder of PDD are, Autistic Disorder, Asperger Syndrome, Childhood Disintegrative Disorder (CDD), Autistic Disorder, the most well known PDD, is a disorder also known as autism   is a neurological and developmental disorder   Ã‚  A child with autism appears to live in his/her own world, shows little interest in others, lacks   social awareness, and has a consistent routine, have problems in communication. Asperger syndrome is the type of PDD characterized by poor social interactions, obsessions, odd speech patterns, and other peculiar mannerisms. It is a high functioning form of autism in children who have high IQ’s. Children suffering from AS have obsessive routines and have unusually sensitive senses. They may also show signs of delays in motor skills, clumsiness, limited interest on things and people, inappropriate or minimal social interactions. Conversations almost always revolving around self rather than others, scripted, robotic, or repetitive speech, lack of common sense, problems with reading, math, or writing skills, obsession with complex topics such as patterns or music, average to above-average verbal cognitive abilities, average to below-average nonverbal cognitive abilities, awkward movements, odd behaviors or mannerisms.(Asperger Syndrome)

Answers to Questions About Plurals #2

Answers to Questions About Plurals #2 Answers to Questions About Plurals #2 Answers to Questions About Plurals #2 By Mark Nichol Here are DailyWritingTips.com readers’ queries about plural usage, and my responses. 1. I am working on a book about the mother-in-law/daughter-in-law relationship, and the author has used MIL and DIL throughout to abbreviate. But the plural forms of those terms are mothers-in-law and daughters-in-law, so what are the plural forms of the abbreviations? The author uses MILs and DILs, but that style incorrectly implies that the plural falls at the end of the compound noun (mother-in-laws and daughter-in-laws.) Should the abbreviations be MsIL and DsIL? Mother-in-law and similar constructions include what’s called a postpositive adjective, in which an adjective follows the noun it modifies. (The second words in â€Å"attorney general† and â€Å"accounts payable† are also postpositive adjectives.) In abbreviations of such terms, ignore the position of the plural form, and attach the s at the end, or omit it altogether. For example, â€Å"attorneys general† is abbreviated AGs, not AsG, and â€Å"accounts payable† is abbreviated APs, not AsP. If you’re going to abbreviate mothers-in-law, MILs is the way to go. 2. Our team mascot is a wildcat, so I would expect people to use Wildcats when talking about the school teams in general. Is there a rule for singular or plural use when identifying a specific organization, as in â€Å"We are the Wildcats† or â€Å"This is the Wildcat football program†? Team mascot names should be treated as plurals except when, as in the case of Stanford University’s Cardinal (not Cardinals) ugh the name is singular: â€Å"The Wildcats are undefeated this season.† The program should also be referred to in the plural form: â€Å"This is the Wildcats football program†; the only instance in which the singular form is used is when referring to an individual player, as in â€Å"John Smith was a Wildcat when the team won the state championship.† 3. When someone says, â€Å"He only answers with yesses and nos,† is that the correct way to spell the responses? Also, do I need to put each word in quotations? I could revise to â€Å"He only answers with yes or no,† but what if I have to record the statement verbatim? Write, â€Å"He only answers with yeses and nos† no internal quotation marks. (Technically, only should follow answers, but this is a transcription.) Want to improve your English in five minutes a day? Get a subscription and start receiving our writing tips and exercises daily! Keep learning! Browse the Style category, check our popular posts, or choose a related post below:75 Contronyms (Words with Contradictory Meanings)Taser or Tazer? Tazing or Tasering?How to Style Titles of Print and Online Publications

Communication and Media Essay Example | Topics and Well Written Essays - 1250 words

Communication and Media - Essay Example Wherever we look the availability of information bombards us with the need to accumulate. In a time where we are no longer bounded by only three forms of media, namely, television, radio and print, it would seem not viable to remain ignorant. It is clichà ©d to say that the world is now at our fingerprints but it is a clichà © because it is a reality that we experience regularly. The availability of information contributes to the power and the idea that knowledge is a commodity that can and should be availed of. When we look at how information is a product, we only need to look at the interaction between the people and the business of communication. Knowledge moves people and the possession of it can mean a difference between success and failure. The history of the marketability of news as a commodity has developed from mass communication’s evolution as a veritable business. The increase in the number of published magazines, journals, newspapers, books and other print materials is a manifestation of this. Radio stations have crossed over the airwaves to the cyber world and television now has a plethora of channels to choose from that can be grouped a number of ways. Society today depends highly on information to keep it on track for people to do daily activities from work to other aspects of everyday living. We base our decisions on facts and assumptions but mostly based on experience in reference to how we execute our work but in daily life it is our reliance on the media that is the basis of conformity in our decisions accordingly. From the current news to the facts, these are the things that we keep aware of for valid reason (Ravuso, par.4). The question of how we value information is one that remains vague but comprehensible. Peter Drucker notes that the cost of an automobile can be broken down between 25% for labor and 40% for material compared to 10% labor cost, 1% material and 70% information for a silicone chip. This ratio is an

Experimental economics, history of trust game Essay

Experimental economics, history of trust game - Essay Example This is why there is sometimes a collusive tendency in an oligopoly. There are four distinct models of it, namely, the kinked demand curve, cost-plus pricing, the price leadership and collusive pricing (McConnell and Stanley, p.224). The first experiment conducted relative to the Ultimatum Game was by German economists Guth, Schmittberger and Schwarze or collectively known as GSS in 1982. What they dis was to divide 42 students where one is Player 1 or the allocator and the other is Player 2 or the recipient. Each Player 1 is asked to allocate however much of the German marks to Player 2. The core of the experiment is simple, if the allocator does not give the recipient anything then they both receive nothing, after a week they were asked to return. This is the basic principle of a simple Ultimatum Game. They found that it is much easier to interpret the bahavior of the recipients. A low offer is viewed as an offshoot of a sacrifice rather than accepting the low amount. The following week, the offer of the allocators became much less while there are two motives in the offer of allocators. The first motive is simple fairness and the other is anxiety over rejection because they may see that an unfair amount may be rejected. It may be either of these reasons or both that ise moving factor for their offer (Thaler, p.196-197). Berg, Dickhaut and McCabe performed an experiment to determine trust behavior among comsumers in a controlled environment. The basis of their study is anonymity. In the presence of which, consumer behavior is reverted to nonexistent as there is no knowledge or relation between buyer and seller at first meeting. This is presupposed by Arrow’s suggestion that â€Å"transaction costs trust is ubiquitous to almost every economic transaction† (p.123). Moved by questions of factors affecting trust in economic behavior, the experiment sets out to eliminate preconceived notions and subject the participants into a trust game. The experime nt guaranteed complete anonymity and the participants only get to invest once, thereby, they controlled the setting and â€Å"eliminate(d) mechanisms which could sustain investment without trust; these mechanisms include reputations from repeat interactions, contractual precommitments, and potential punishment threats† (idem). The experiment found that there exists reciprocity and that decisions of the subjects depend upon their interpretation of each room’s behavior. If it depends upon mutual benefit, then the there is a higher likelihood to reciprocate in that scenario and it is conjunctured with trust. Social history was found to be a determining factor in this analysis. This factor inclines the person toward trusting the other. To further eliminate this fator, those who are recruited were not a part of any previous sessions and they were provided a summary a no history background affects the results (p. 124). The participants were given $10 to invest at various sta ges throughout the experiment. The experimenters expected that they will realize sending money in the first stage is risky as there is no concrete evidence of reciprocity. In stage two, it was predicted that they will release money and third where money triples, it is the ideal stage that they will send their money. As a result, they concluded that primitives trust and reciprocity are the moving facors in decision-making among the investors. â€Å"By inventing property rights and allowing social history, society stimulates norms of

History based on the life of the original Macbeth Essay Example for Free

History based on the life of the original Macbeth Essay Eleventh century Scotland was a violent and troubled country. Family and supposedly loyal friends rebelled against one another for trading and territory purposes. The threats of an enemy invasion or an attack on fortresses were extremely common. Rampant Vikings and local Scottish men raided constantly to weaken and more importantly drive out the stubborn opposing forces that lay in their way. Macbeth was born into this dangerous environment in 1005, son of the victorious family that stamped its authority on Moray and Ross [significant areas in Scotland]. The family itself betrayed themselves as being loving and caring to one another, however, internally they were scarred mentally, as a consequence of their fathers death who was evidently murdered by his cousins. Macbeth obviously emotionally distracted by his fathers death, concentrated his thoughts on leading a comparatively normal life, supported by Brauch his new partner [granddaughter to a High King of Scotland]. Subsequently they had no children of their own. The present ruler of Scotland was Duncan, an ineffectual and seemingly unpopular person amidst the civil problems. Not surprisingly someone assassinated him at the age of thirty-eight. Historians believe that it may have actually been Macbeth, but there is no conclusive evidence to confirm their theories. Macbeth seized this unique opportunity, and was elected High King of Scotland in 1040; he ruled for seventeen years. As predecessor of the reviled Duncan, his first priority during his initial ten years in power, was to bring peace and relative stability to his problematic kingdom, notably he was fairly successful at doing-so; he became a reforming King accordingly. He managed to balance out and annihilate the majority of the negative feelings amongst the population. Unfortunately for him, his greatest and most fatal hurdle materialized in the form Duncans son Malcolm, who was absolutely determined to take control of Scotland. He ingeniously invaded the region in 1054, aided by the English King Edward the Confessor. Macbeth himself was brutally exterminated on the 15th of August 1057 at Peel Ring Lumphanan in Mar. He was buried at Iona, respectively; the sacred burial place of the Kings of Scotland. Was this epic period of Scottish History the basis for Shakespeare Macbeth? Shakespeare was a talented playwright, not a historian. However, the past provides an excellent source for basing a flourishing play. It is exciting factual material with which [if one is intellectually sound], can modify and adapt to conjure up maximum dramatic effect and a truly brilliant and entertaining stage production. Historical evidence bestows writers with a fruitful background; an imaginative base on which one can construct a sophisticated plot that entices the audiences mind, body and soul. For Shakespeare this would have been incredibly difficult to originate, hence the gathering below the rostrum; that were either damn right rude or absolutely sloshed. Indeed, it is true to say that some of his dramas were not as appreciated or dominant, fortunately Macbeth proved different, and would be a prevailing theatrical production for hundreds of years. Shakespeare was an independent character, one who thrived on his own personal achievement, and one who was not afraid to alter and develop certain features regarding a story to accomplish ultimate dramatic effect. The epicentre of Macbeth pivoted around the eleventh century ancestors; he obviously acknowledged the great potential in these characters. He evidently thought it necessary to convert, invent and abolish particular characteristics surrounding the events of eleventh century Scotland. He established Lady Macbeths sleepwalking and death, the banquet scene and Banquos ghost, and most of the cauldron scene. With a little imagination and adaptation he reversed King Duncans nasty personality into a loved and greatly appreciated role model. He also eliminated Macbeths ten years of good rule to make the scenario and atmosphere more effective; everything he purposely altered was in the interest of the play. Interestingly, King James I was in power, when Shakespeare first presented Macbeth in 1603. I personally find this rather intriguing, because the actual storyline consists of many of King Jamess personal comforts and interests. It is obvious that King James was a superior influence on the outcome of the play; he helps to conjure up some fruitful inspiration for Shakespeare; this, and the colourful Scottish pass times, provides a feast of information and ideas for Shakespeare to weave his magic upon. He gratefully accepted this priceless gift, and transformed it into one of the greatest tragedies this world has literally ever experienced. What message is Shakespeare trying to get across? I feel it important for one and me to understand that the play is meaningfully founded on the corruption of power. Although the supernatural, fascinating individuals and mysterious undertakings create a unique atmosphere to the play, the nucleus consists off events that revolve around the abuse of power. It is true to say that this is present and happening in our modern society, take Hitler for example. He was a dictator who possessed a lethal amount of power, he used it to brainwash people, so that he could do what he wanted. He started by wiping out an entire race, known as the Jews; he and his fixation to be in control was a major factor in triggering the Second World War. A comparison can be made between him and Macbeth, both of which abused their authority. Shakespeare is trying to get this eminent message across to his viewers. Witchcraft and Murderous Schemes. If one is familiar with the tragedy, one will know that Shakespeare wrote and directed it, at a time in which murders and witchcraft were everyday issues. In fact, the majority of the general public seriously believed and feared the paranormal universe, so much so, individuals who were thought to be actual witches were tried, tested and eventually killed. During this time, witch mania reached terrifying proportions; hundreds of innocent people [usually women] were condemned to immediate execution, without an adequate assessment. As anticipated, a small minority were against this mass persecution, but they and their justifiable opinions were suffocated without due consideration by the bulk of the general public. Essay Targets. Macbeth has complicated plots that comprise of numerous acts and scenes. I am attempting to devise an essay focusing on three specific scenes. The essay is to be written in a directors point of view as if I was to direct these three selected scenes: Act I, Scene 3. Act I, Scene 5. Act 5, Scene 5. I feel that these three scenes collectively describe the basic tale and downfall of Macbeth himself. Act I, Scene 3 meets the witches, which influences his decision to kill the king. Act I, Scene 5 Lady Macbeth plots to kill Duncan herself and confides her thoughts in Macbeth. Act 5, Scene 5 As a consequence of his murders, everything has come back to haunt him. He is about to be attacked by the English army, and inevitably faces the decisive punishment for his sins Death!!! I deem each scene to be off substantial importance, all independently help to develop and illustrate the overall narrative too. Unquestionably, each one has to be directed appropriately, to attain the audiences concentration, and to merely get them philosophizing about the story. An enthralling location is also absolutely necessary, the audience needs to be encapsulated by the setting and circumstances. The following essay denotes each scene autonomously, and expresses my feelings and points of view on how I should direct and conduct all three scenes to achieve a stunning atmosphere to mesmerize and amaze the spectators. My main objective is to manipulate selected characters and transform their personality and temperament to improve the play and exaggerate the horror theme. The fact that Shakespeare himself, left no stage directions leaves the doorway open for any willing direct to interpret the actual play, as he/she wants. Over the centuries, several producers have devised their own technique and developed the plot to create their own translation of the enigmatic ventures of the Scottish hierarchy. I have committed my play and essay to a film production. I have chosen to adopt this particular method, because I feel that it would fit perfectly into a modern day movie, which has the funds and technology to support graphic and suitable special effects. I have observed a modern day interpretation of the play; it was staged on a rough Birmingham estate. For some bizarre reason though, the actors referred to the direct text, but conveyed them in a Brummie accent; this was literally diabolical. It simply did not complement Shakespeares erratic language, the pronunciation was awful- quite positively negative. I on the other hand deem it more appropriate to compose the epic tale of Macbeths downfall in its indigenous and traditional generation. Directors point of view for Act I, Scene 3. Summary of scene: Macbeth and Banquo meet the witches, Macbeth is returning from the battle with his gallant companion and hearty Scottish nobleman, Banquo. Their journey back to the Kings camp takes them over a deserted heath. Here, the witches lie in wait for them, talking as they generally do about an evil spell they have cast upon one unfortunate person. The mist clears Macbeth and Banquo unexpectedly see the witches. They demand that these creatures: so witherd and so wild in their attire, explain who they are. When the witches speak, they greet Macbeth as Thane of Cawdor and predict that hell become king. To Banquo they foretell Your heirs will be kings, although you will not, they then disappear, before a bewildered and perplexed Macbeth can inquire about their prophecies. I feel it compulsory to point out that this scene is the penultimate in the opening trio, therefore a lot of planning and thought has gone into directing it, hence the fact its considerably longer than the other two scenes. Uncharacteristically, I have chosen to direct the third scene instead of the first. Respectively both are of great significance to the outcome of the play, but the third introduces the witches, their first apparition, Macbeth and Banquo. Like the opening scene, this one needs to be just as effective to conquer the audiences awareness. In this scene the witches encourage Macbeth to believe that he is invulnerable and indestructible. The intereference of the witches influence Macbeths actions; he immediately considers to commit regicide against King Duncan If good, why do I yield to that suggestion/ Whose horrid image doth unfix my hair/ And make my seated heart knock at my ribs/ Against the use of nature? These four sentences help to describe Macbeths feelings, he is basically thinking about the proposed murder, he does this by making references to certain features on his body. For example, your heart pounds when youre excited or nervous. Macbeth having possession of all the confidence in the world as a consequence of the witches predictions and the recent victory in the exasperating battle fears no one. I find it hard to appreciate the reliance and dependence confined in the witches and their prophecies by Macbeth; after all they are absolute strangers. This is why Ive chosen to portray the witches as attractive housewives, hopefully this will make the scene more believable, because men are easily dominated and controlled by beautiful, seductive mistresses. This needs to apprehend the audiences interest, so that they can acknowledge the circumstances and understand whats actually happening. I will set the play on a desolate, open stretch of countryside. It will be nighttime with a low and eerie fog making visibility poor. This will intensify the atmosphere, because the audience will instinctively be weary of the surroundings and the mysterious environment. The witches, Macbeth and Banquo are all dominant and important characters, thus meaning they need to be familiarized and introduced, so the audience recognizes who they are later on in the film. The scene will get underway with Macbeth and Banquo strolling over the motionless fields, discussing the eventful battle, although you will not be able to hear them, because only a sinister genre of music will be heard. They are going to be dressed in war-like clothes; therefore the audience will directly associate them with a battle of some description. In the near distance a lonely farm building will stand [the audience obviously noticing this, should already be imagining whats in it and are Macbeth and Banquo going to go there]? The interior of the barn will be exceptionally gloomy, but in the far corner three ugly hags are going to be highlighted by specifically positioned lightning. The witches are severely deformed, to leave the audience feeling astonished and expectantly physically sick! The witches will speak in macabre tone of voice, whilst speaking to one another. Their wicked conversations will consist off evil material e.g. Killing swine/ and like a rat without a tail/ Here I have a pilots thumb, wrecked as homeward he did come. The presence of the witches and their repulsive words is a created stimulus that makes the play a great deal more engaging, therefore the overall production benefits and improves considerably. Their physical appearance and cursed lines keep the audience hooked, simultaneously the supernatural element increases the suspense with every scary sound and disgusting illustration produced or described by the witches. Macbeth and Banquo feeling exhausted from their tiresome day will seek deserved refuge beneath the suspicious looking dwelling. The tension and suspense will certainly be enhanced amongst the audience obviously fearing the couplets safety as they cautiously enter. However, they will be treated to a pleasant surprise, this is due to the sexy figures gathered in the corner of the room. Using contemporary technology and realistic special effects, the hideous threesome will magically be converted into gorgeous bitches! The transformed witches disguised as randy and bored housewives will [without doubt], outstand and arouse the audience together with Macbeth and Banquo. This is known as dramatic irony, when the watchers know something that the characters dont. The witches dressed in a low, red cut top [showing an outrageous amount of cleavage] will immediately greet the dazed Macbeth and Banquo with verses of factual information and weird prophecies. The amorous ladies will speak in a confident, persuasive, but somewhat devious tone of voice, thus causing the men in the room to absorb these queer predictions. The audience would accept the witches original nature and accept the fact that beautiful seductive women are able to force gullible/intelligent men to believe in them and their words. Obviously, Macbeth and Banquo will be confused and amazed, but in some sense enthusiastic about the apparition. As they attempt to verbally challenge the witches, the room will suddenly become silenced, with them both pondering their recent experience, the atmosphere again changes though, as Ross and Angus storm into the equation. Ross and Angus stunned to find their chums under these certain circumstances try to regurgitate the report sent by the king. Gradually, as Ross explains the situation to Macbeth and Banquo [regarding the former Thane of Cawdor and him being sentenced to death for treason against the king], the witches prophecy is beginning to unfold. Therefore Macbeth needs to act in an astounded manner, altering his body language and facial expressions accordingly best shows this. Macbeth has chosen to renovate his character, and so he keeps his feelings and thoughts to himself. This is aptly shown as he speaks to the audience alone [aside]. His soliloquy refers to and describes his ambition. The prophecy that was revealed by the witches brings a broad temptation to Macbeth that had been his secret all along for being a king, for example: My thought, whose murder yet is but fanastical. This purely indicates Macbeths great ambition, he is already thinking about killing Duncan. If the audience is reasonably clever, they will detect this too. Another distinctive line is Nothing is, but what is not. He is referring to the recent events, commenting on the sensational proceedings. During this scene the plot is potentially discovered, it helps to entangle and trigger off the storyline. Although the words are enormously imperative, the characters and their actions are equally significant, in conjunction with one another, the audience understand whats going on. The scene will end with Macbeth and Banquo standing side by side, contemplating their prosperous future. The camera will zoom in on Macbeth and his cunning visions of murdering Duncan. Unlike Banquo, who is triumphantly imaging his sons being crowned, with him in the background looking on proudly, crying sweet tears of joy? Directors point of view for Act I, Scene 5. Brief summary of scene: In this scene Lady Macbeth plans a murder. She lives at home in there castle at Inverness. Lady Macbeth has received a letter from her husband; in it he tells her about the witches prophecies. She is interrupted as a messenger arrives telling her of the kings visit. She realises that this is the golden opportunity to kill Duncan, the king. Her treacherous thoughts are kept to herself, unlike Macbeth who suppresses them. She makes her mind up that the murder must be committed that night. When Macbeth arrives at the castle ahead of the king, she exclaims convincingly that she has arranged everything. Lady Macbeth is the second most dominant influence on Macbeth. As soon as Lady Macbeth learns of the words spoken by the weird sisters, she instantaneously analyses Macbeths future i.e. if Duncan were killed, Macbeth and her could acquire Scotland. She vigorously studies the letter and assesses the situation, considering the best and most suitable option to chose, in order to bring her eagerly awaited success. If I were to direct this scene, I would set it in Lady Macbeths chamber; this is because bedrooms tend to be a solemn place of privacy and security. The bedroom is to be very grand and ornate, with elaborate walls, preferably in a blood-red colour, this is to emphasis the theme of blood that runs throughout the play. Lady Macbeth dressed in her sexy, soft; silky nighttime gown will try to interpret the epistle relaxing on her mahogany four poster bed. Under a quiet, pleasant piece of music, Lady Macbeths voice is to be sounded above the music, reading out the letter to herself, she will also over exaggerate particular words and phrases, which depict Macbeths thoughts. Whilst peacefully examining the letter, succeeding in comprehending it, she will act in a attentive fashion. As the production is a film, I have decided to include visual images of Lady Macbeths perceptions of the letter. When reading it, there will be metaphors of Lady Macbeth conjuring up pictures of her and Macbeth sitting gloriously on the throne, with hundreds of spectators gathered below, robustly singing their praises. To accompany this ceremony, a victorious composition will engulf it, however, these false celebrations will be disrupted as she resumes normality awoken by an attendant. Things could just not get any better for Lady Macbeth; the attendant brings delightful news concerning Macbeths and Duncans arrival. The supernatural is again underlined and called upon, this time by Lady Macbeth. She forms an imaginary conversation with the evil spirits, asking them to assist her murderous plans: Come you spirits that tend on mortal thoughts, unsex me here. When the conversation commences, Lady Macbeth is going to gaze up at the ceiling and perform actions with her hands where appropriate e.g. Come to my womans breasts she will be clenching her bosoms as she speaks. Again, faded scenes of wicked witches will corrupt her mind, these will then turn into vivid images of her viciously stabbing Duncan to death with a decorative candlestick, as he sleeps. You will then he totally horrified by her face speckled with distinctive spots of blood. Another will then immediately follow this bloodcurdling incident; her menacing eyes will stare at you, threatening you, frightening you!!! With an ounce of luck, the audience will be completely petrified, thus achieving maximum dramatic effect. Over pictures of gruesome violence, a terrorizing sample of music will be heard. During Lady Macbeths deceitful outburst, many references to blood, light and dark and hell are made e.g. Come thick night, and pull these in the durnest smoke of HELL. All of these factors exaggerate the horror theme and atmosphere. Macbeth then enters the bedroom, instantly Lady Macbeth [being the scheming bovine she is], craftily asks her partner [when he claims that Duncan is coming] and when goes hence? In other words when is he going, so I know when to conduct his brutal surcease? Being a woman in all, she is able to change nature and personality whenever she feels it obligatory to fool or persuade Macbeth. Subsequently, she goes on, to subtly describe about disguise: To beguile the time, look like the time/ look like the innocent flower, but be the serpent undert. She is relating these lines to the killing of Duncan, in such away that the audience and Macbeth cannot really appreciate or indeed realize. I would instruct Lady Macbeth to deliver these disloyal words in a convincing way, almost as if shes reassuring Macbeth about the murder. Macbeth does actually distinguish Lady Macbeths words, but he fails to comment on them, instead he ignores her, and demands to talk at a later date. By this time, the murder is already almost complete. Directors point of view for Act 5, Scene 5. Brief summary of scene: Macbeth prepares for battle, is busy setting up defenses all around Dunsinane Castle. Most of his noblemen and soldiers have rebelled and joined the other side, but he is certain he cannot be beaten or not until Birnam Forest comes to Dunsinane [as a consequence of the witches new appairitions]. What he does not know is that his enemies have agreed to meet at Birnam Wood. When the soldiers gather there, each one is given the branch of a tree to camouflage them as they move forward to launch an attack. As he is organizing for the battle, he thinks how meaningless life is. Just then, a messenger announces that Birnam wood appears to move. After the initial murder of Duncan, Macbeth persists in his violent actions and continues to kill more, in an attempt to become ruler of everyone and everything north of the border. Once the first the killing took place, the ball started rolling and unfortunately did not stop, that is up till now. Macbeth is facing unavoidable death, the ultimate punishment for his many sins; his castle at Dunsinane is surrounded with him at the epicentre amongst the entire calamity, but yet he still have faith in the witches predictions, and why not? The witches prophecies and apparitions have so far proved correct, significantly, the prediction concerning Macbeths mortality: No man on earth shall harm him, is about to prove incorrect. However, the arrogant Macbeth seriously supposes himself imperishable, consequently fearing no one. He is undisputedly emotionless this is shown in line 9: I have almost forgot the taste of fears, clearly his mental state is severely befuddled, his aspiration has got him where he is and under these particular state of affairs, he cannot turn back the clock, he simply has to face the penalty of his slaughterous actions. Remarkably, he does not sense any guilt either; instead he concentrates his efforts on the seemingly impossible encounter ahead. Even when is once loved wife dies, he fails to physically react, he simply gathers his thoughts and feelings and distributes them into a touching paragraph; yes, even the audience cannot help to feel for the desolate Macbeth. He once walked upon lifeless stretches of open countryside accompanied by his dearest friend Banquo, now he is the dirt on which his predecessors and countless enemies tread. This scene resembles Macbeths uncomfortable position, and his feelings; it needs to be incredibly effective to achieve the right atmosphere and tension. A more suitable location could not have been selected; the castle at Dunsinane is the perfect setting under such awkward circumstances. With the castle encircled and the defeated, lonesome, loathed figure stranded at the centre, the scene is an awesome opportunity for a willing director like myself to challenge. The scene will commence with an aerial view of the castle and the environment engulfing it, the audience will now understand Macbeths situation. Thousands of infantry will be advancing towards the castle under the natural camouflage off tree branches, a strong drum beat intentionally heard by the audience, will encourage the soldiers to move forwards. Meanwhile, Macbeth seeking what he considers to be relative safety in the castle will burst onto the scene in an aggressive manner. A room sited at the top of the castle [overlooking their boundaries], will suddenly be animated as the door flies open with a terrific thud, followed by a apprehensive Macbeth, Seyton and three rather nervously looking soldiers. A window foreseeing the countryside ahead and the moving woodland will be an important feature in the room, this is because Macbeth will stand in front of it [with his back against the opening], facing the anxious congregation organized below. Macbeth dressed in his gleaming armour tries to rally his troops by expressing valiant words of defiance: Our castles strength will laugh a siege to scorn; here let them lie till famine and the ague eat them up. This successfully illustrates his current state of mind, he is positive and thinks that he and their stronghold will hold out against the enemy, the audience should sense this by li stening to the tone in which he conveys his words; he will do so in a self-assured and powerful manner. During his defiant speech, a high-pitched squeal will be heard, immediately the audience and Macbeth will demand to know what it actually was. Seyton acknowledges that it was a cry of women. Macbeth reflects in a sorry tone, his emotions; the way in which he delivers these might effect the audiences opinion of him. The audience realizes that he was once a good fellow, who fought bravely and cared for ones close, they should almost feel a bit of sympathy towards him, but then they compare him to the coward he has become, one who deserves everything coming his way [that is in the form of an entire army, seeking revenge for the futile murders he has committed]. Seyton informs Macbeth that it was his wife Lady Macbeth. Once more Macbeth expresses his thoughts on the matter, almost as if he is looking back and regretting his actions. The audience will be able to identify the real Macbeth again, as he comments upon ones life, comparing it to Lady Macbeths and his. The atmosphere at this point will be depressive, due to Macbeths sorrowful words. However, the mood will revolutionize on the arrival of a messenger bringing shocking, but inevitable news. I will instruct the messenger to act in a stunned manner; he will also find it increasingly more difficult to tell Macbeth of the moving forest, approaching them at a rapid pace. Macbeth purposely rejects this news: Liar and slave! even though he knows full well that there true, because the witches told him so. At this meticulous moment, a flashback will occur, this will consist of haunted reminiscences of the raunchy women retelling the third apparition stating: Macbeth shall never vanquished be until Great Birnam Wood to high Dunsinane hill shall come against him. In other words, you will never be hurt or even destroyed until Birnam Wood moves towards Dunsinane [this will help to remind the audience about the apparition]. When Macbeth resumes regularity, he will again, persist in not believing the messengers words of truth, perhaps he does not want to believe them, because he knows that the end is near. Regardless of this, he has come too far, and so he will fight to the very last second. At the conclusion of his final dialogue in the scene, he will turn to observe the view outside, noticing an entire wood gradually moving closer, this signifying that his death is exceptionally near, a vacant expression on his countenance will demonstrate this completely.

Ballad of Pearl May Lee in Gwendolyn Brooks Street in Bronzeville Essa

Ballad of Pearl May Lee in Gwendolyn Brook's Street in Bronzeville Gwendolyn Brook’s â€Å"Ballad of Pearl May Lee† came from her book called Street in Bronzeville. This book exemplifies Brook’s â€Å"dual place in American literature† (Smith, 2). It is associated with Modernist poetry, as well as the Harlem Renaissance. This book is known for its theme of victimizing the poor, black woman. â€Å"Ballad of Pearl May Lee† is a poem that uses tone to represent the complex mood of the ballad. While tone and mood are often used interchangeably, there are differences even though they often work together in a poem. A poem’s mood refers to the atmosphere or state of mind that the poem takes on. This is often conveyed through the tone, which is the style or manner of expression through writing. In this poem, Brooks uses tone to enhance the mood. This paper will shed light on the idea that the mood of the poem is affected by the tone in several ways in order to make the mood inconsistent. Some of the ways t hat tone does this is by several episodic shifts in the scene of the poem, the repetition of stanzas at the end of the poem, the use of diction, and the change in the speaker’s stance throughout the poem. These poetic techniques enhance the speaker’s current feeling of self-pity and revengeful satisfaction by her mixed emotions associated with this reflection. To begin, the episodic shifts in scenes in this ballad enhance the speaker’s emotional confusion. Almost every stanza has its own time and place in the speaker’s memory, which sparks different emotions with each. For example, the first stanza is her memory of herself at her house and it has a mocking, carefree mood. She says, â€Å"I cut my lungs with laughter,† meaning that... ... was meant to serve as insight as to how Brooks used the tone to create a mood that was inconsistent with an overlying theme of self-pity. She has a way with words, and I feel that this ballad is very representative of her skill as a writer. Works Cited Mootry, Maria K. â€Å" ‘Chocolate Mabbie’ and ‘Pearl May Lee’: Gwendolyn Brooks and the Ballad Tradition. Vale – Rutgers Univerisity Libraries. http://galegroup.com/servlet/LitRC?vrsn=3&OP=contains&locID=rutgers&srchtp.html Smith, Gary. â€Å"Gwendolyn Brook’s ‘A Street in Bronzeville’, the Harlem Renaissance and the Mythologies of Black Women. Vale – Rutgers University Libraries. http://galenet.galegroup.com/servlet/LitRC?locID=rutgers&frmhyp=1&srchtp=athr&c=2&.html Sollors, Werner. An Anthology of Interracial Literature. â€Å"Ballad of Pearl May Lee.† New York University Press. 2004. p. 577-580.

Whale Riders Film Analysis

When choosing a film for this assignment, my original choice was Bend It Like Beckham because I had heard of it and I had a general idea what it was about. I then decided that I wanted to take on a more challenging film, one that I had never heard of, and one that I would really have to study to understand its full meaning. After looking into a few of the listed movies, I ended up choosing Whale Rider, a drama filmed in New Zealand in 2002. After watching the movie two times, I feel that I now understand some of the more drastic cultural and gender based problems that are occurring today. The film's plot follows the story of Paikea Apirana, yet she goes by the name Pai in the film. Pai is a 12-year-old girl who is the only remaining child in the line of the tribe's chiefly succession after the death of her twin brother and mother when she was born. By tradition, the leader of the tribe should be the first-born son, or a direct descendant of Pai’s family. Yet because there is no direct male descendant, Pai’s grandfather Koro Apirana has to find the next male leader amongst their tribe. Koro is the current leader of the tribe and has to set up a series of tasks that are required to become the next leader of the tribe. Unfortunately, Pai is female and technically cannot inherit the leadership. Throughout the movie, Pai’s grandmother Nanny Flowers encourages her to train just as the boys of the tribe do to hopefully convince her grandfather to name her the new leader. One of the final tasks to be named the tribe leader is to retrieve a whale’s tooth from the sea by riding the back of a whale out to sea, hence the name of the film being Whale Rider. After watching this film, I feel that the director Niki Caro is trying to explore the ways that gender and power are exemplified in certain cultures around the world. I feel that the main example from this film involves the main character Pai being female and how that limits what she can and cannot do in her tribe. The tribe’s past history has always told them that a male should be leader and that females are to never be in power in any way, shape, or form. When the young boys are training with Koro to hopefully become the next descendent to be leader of the tribe, Pai is still not allowed to take part in the events. I feel that gender issues are also present in the everyday life of people all around the world, not just in this particular small tribe. It is a proven fact that in America, the average wage of men is higher than the average wage of women. Men also tend to hold higher positions in various labor industries across the country. Gender discrimination has always been a major issue in many societies around the world, yet many feminists groups around the world are slowly making the issue diminish. Another aspect of the film that Niki Caro explores is the way the power and control affects the lives of anyone in a given society. In the film, Pai’s grandfather Koro exerts his power over Pai by informing her that she will never be leader of the tribe due to her gender. Throughout the film he continuously tells her that she is the reason that the tribe may be at its final downfall. Even though she did nothing wrong, her being female makes her grandfather feel let down. Koro is in charge of everything that the people of the tribe do on a regular basis. He is the person who makes all of the decisions and controls all events. The presence of his power makes him seem like more of an intimidating figure who can control the lives of others. This leads to my first concept from our reading that was illustrated in Whale Rider which is Ideology of Patriarchy, or the structural dominance of men that is built into the institutions of society. Whale Rider exemplified the Ideology of Patriarchy perfectly because of how Koro ran his tribe. For generations, this tribe was always told that a man is to be the leader. When Pai is the only remaining family descendent, Koro becomes aggravated because she is female and will not be able to carry on the tradition of men as leaders. As the movie progresses, you begin to notice that Koro is slowly starting to accept the fact that maybe his granddaughter is fit to be a leader of their tribe. This leads to the second concept that I feel was expressed which is the idea of identification and the extent to which an individual is likely to make a decision that aligns with organizational objectives. When Koro originally has the feeling that Pai is not suitable to be leader, he is under the impression that he has to find someone outside of the family to take over his role once he passes. He soon realizes that the real thing that he should be focusing on is keeping the leader role in the family. Identification is accomplished by accepting the importance of family and what it means to be true and respecting of those who are closest to you in your life. The theory of identification also carries over to idea of the control that Koro has over his tribe. When Koro initially begins scouting young boys around the tribe in order to find his next leader, he set up training and a series of tasks each person needed to succeed with. Koro exerts what is my third concept of concertive control, or when explicit written rules are replaced by common understanding of values, objectives, and means of achievement, along with a deep appreciation for the organization’s mission. During Koro’s training of the young boys, Pai was secretly training with her uncle who knows all of the ways of fighting and training needed to succeed. When Pai defeats a young student of Koro’s in a fight, Koro becomes very upset but begins to realize that she may be the most suitable for the leader role. Koro eventually understands that the value of keeping the leadership role in the family is the most important objective, even if the descendant is female. This leads to the final concept that the film expresses which is the role of gender in society and the different aspects of how gender is treated in this particular tribe. From our readings, we learned that gender is socially constructed depending on the society’s specific views and morals. In this tribe, females are not able to hold any type of leadership role. We also learned that gender is learned and performed. Typical themes of femininity could be classified as sensitive, caring, beautiful, and in some cases accept negative treatment. Even though Pai had always grown up learning what it meant to be a girl and a woman, she had to learn certain aspect of masculinity in order to become leader of the tribe. She had to learn how to fight, how to train, and how hold a position of power of a group of people. Pai was able to show her family and the people of her tribe that a female can do anything a male can do and do it just as successfully. Whale Rider taught me a lot of different aspects the ways that people treat others in society. I have never agreed with the idea that men can always do things better than women, but this film really pressed that into my mind. I now have a whole new appreciation for feminists and everything that they stand for. Women have the same rights that men do and should be given the same amount of opportunities in life. I feel that Whale Rider was a great film that was able to show the viewers how power and control really affects people. This film was the perfect way to show the world what it really means to stick up for yourself and fight for what you believe in.